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National Research Institute for Cultural Properties, Tokyo
CFD Assists in Hygrothermal Control for Preservation of
Cultural Artifacts and Overall Energy Savings

The National Research Institute for Cultural Properties, Tokyo introduced CFD (Computational Fluid Dynamics) analyses in 2005, for understanding temperature and humidity conditions surrounding cultural artifacts and assets and improving environmental managements. Thermal fluid analyses have now become crucial for the design and management of energy-efficient preservation environments.

Dr. Masahide Inuzuka
Senior Researcher, Center for Conservation Science and Restoration Techniques, National Research Institute for Cultural Properties, Tokyo

Located in Ueno Park (Tokyo, Japan), the National Research Institute for Cultural Properties conducts research on Japanese and overseas art artifacts and assets. The organization was founded in 1939 as the affiliated art research institution of the Imperial Art Academy, which changed to the Tokyo National Research Institute of Cultural Properties in 1952. Since the transition, the Institute has diversified the range of divisions, and established, for example, the Department of Intangible Cultural Heritage and Center for Conservation Science and Restoration Techniques (CCR).

 

CCR specializes in six areas: research on preservation environments, analytic science for investigating materials and structures, biological science for evaluating biological effects and countermeasures, research on preservation materials and traditional techniques, and research on modern cultural heritage.

 

Dr. Masahide Inuzuka, the Senior Researcher at CCR, is responsible for research on preservation environment and analytic science. A number of factors affect artifact and asset degradation. In terms of physical science, these factors include temperature, humidity, light such as ultraviolet and infrared, and chemical substances in the atmosphere or building materials. From the aspect of biological sciences, insects and molds can have adverse effects. Since temperature and humidity are closely linked to the other factors, these two parameters are two of the most important considerations for preservation management. Dr. Inuzuka uses thermal fluid analyses to investigate the hygrothermal environment.

Preservation Environment of Cultural Artifacts and Assets at a Turning Point

Ideally, cultural artifacts and assets should be maintained at optimum temperature and relative humidity levels. Different levels apply depending on the artifact and asset materials, such as whether they are made from paper or metals. This is the case whether designing small art showcases or large-scale repositories. An air-conditioning system is often installed inside the holding area to maintain optimum temperature and relative humidity. Dr. Inuzuka says that many of Japan's museum showcases and repositories built between the post-war and pre-recession era have degraded. At the same time, the demand for high energy efficiency has risen since the earthquake and tsunami disaster in 2011. Dr. Inuzuka says this means designing and maintaining energy efficient preservation environments for cultural artifacts and assets is now at a turning point.

 

A major challenge facing Dr. Inuzuka is that even though facilities are degrading, it would be cost prohibitive to rebuild the entire facility. Also, constructing new preservation facilities without sufficient evaluation, could further endanger the integrity of the cultural artifacts and assets. The use of CFD simulations can reduce the risk and lower the cost for experimental evaluation. Considering these benefits, Dr. Inuzuka thought that introducing a thermal fluid analysis tool was desirable. 

Fig 1: Illustration of the showcase. Click to enlarge.

First Attempt to Implement a Fan inside a Showcase

Dr. Inuzuka participated in the design of a large showcase for the Mie Prefectural Museum, which opened in April 2014. The showcase exhibits large paintings and traditional folding screens. It is 13m wide, 2m deep, and two story (6m) high. It is the largest showcase of its kind in the nation.

 

Two issues were concerned; the first was the high temperatures generated by the lighting equipment, and the second was the large temperature/humidity gradient inside the showcase. If there is a large temperature/humidity difference between the upper and lower sections of the showcase, the displayed artifact may stretch unevenly and cause serious damage. To avoid this, the museum decided to use a fan to circulate the air inside the showcase. This was a novel idea at the time, and the effectiveness of the fan was unknown.

 

The fan was installed at the top of the showcase. The air inside the showcase passed through slits and a duct located at the back of the showcase. The air then flowed through the humidity conditioner at the bottom of the showcase and then back to the case (Fig 1).

 

The target air velocity inside the showcase was less than 0.3m/s. Four rows of LED lights were located at the top of the showcase. A single row was located at the bottom. Each row consisted of 226 individual LEDs. The exhibit space at the top of the showcase was separated from the LED lights by a plate of heat resistant glass. Simulations were conducted assuming the relative humidity on the surface of the silica gel humidity conditioner was kept at 60%. Dr. Inuzuka performed steady-state CFD analyses to evaluate temperature and humidity with and without the fan.

Fig 2: Front view of the temperature contour (left: without air circulation, right: with air circulation. Click to enlarge.

 

Fig 3: Front view of relative humidity contour (left: without air circulation, right: with air circulation). Click to enlarge.

 

Fig 4: Comparisons of temperature and relative humidity. Click to enlarge.
Lines indicate the values of temperature or relative humidity from experiments conducted at different showcase heights. Dots indicate the values of temperature or relative humidity calculated using scSTREAM when LED lights are switched on, looking at the effects of air circulation.
- March 26, 15:10 – March 27, 21:00 (LED lights on, without air circulation)
- March 31, 17:15 – April 2, 8:55 (LED lights on, with air circulation)
- Other time periods (LED lights are switched off, without air circulation)

 

The analysis result with the fan showed that the fan effectively minimized the temperature gradient, and the air temperature was the same as the outside air temperature. In comparison, the analysis results without the fan revealed a large temperature gradient and air temperatures higher than the outside air temperature (Fig 2). The gradients of relative humidity were similar with and without the fan. The lower temperature achieved by using the fan led to proper relative humidity levels (Fig 3).

 

The temperature and humidity were also experimentally measured at 36 different locations within the showcase (Fig 4). Data was collected and analyzed for three different conditions. LED lights were used without air circulation between March 26, 15:10 and March 27, 21:00. LED lights and air circulation were used between March 31, 17:15 and April 2, 8:55. Outside of these periods, neither LED lights nor air circulation were used.

 

The experimental measurements clearly showed that air circulation improved the quality of the environment. Although the calculated temperatures were higher than the measured temperatures, relative humidity values for both the simulation and measurements agreed well.

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*Contents and specifications of products are as of January 31, 2015 and subject to change without notice. We shall not be held liable for any errors in figures and pictures, or any typographical errors in this brochure.

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National Research Institute for Cultural Properties, Tokyo
Founded 1930
Activity Research and preservation of cultural properties
Representative Nobuo Kamei, Director General
Head Office Chiyoda-ku, Tokyo, Japan
URL http://www.tobunken.go.jp/index_e.html

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